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#realism

2 posts2 participants0 posts today
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@mcSlibinas @Gustodon

i think #realism can be defined as nothing more than #idealism shaped by experience

you still aim to the good goal

but now you know the road is not simple

so you continue towards the good goal, but you get there with the tools that adversity taught you, which can be called #cynicism

cynicism (as a personality, not as a tool as you say and i agree) is sitting down on the side of the road and giving up. cynicism as a personality is giving in to adversity, a failure mode

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@FrancoisPrague @mcSlibinas @Daojoan

exactly

1. #idealism is a form of failure. which is not a condemnation of idealistic people. we all start out as idealists in life

2. #cynicism, as idealism's mirror image, is also a failure. it's what naturally follows from step 1 because of inevitable adversity

3. maturity is using idealistic thoughts to guide you, but filtering it through what cynicism teaches:

#realism

the problem is people stuck on step 1/ 2

all of us should strive to reach step 3

"Study of a Nude Man," Gustave Courbet, early 1840s.

Courbet (1819-77) is an artist I find both impressive and annoying. Dude was beyond talented, and had an amazing audacity at times. He rebelled against Romanticism and French academic standards, deciding he would only paint what he could see. This ended up making him a huge influence on the Impressionists, but also his independence of spirit was an inspiration to more modern art movements like Cubism.

He also made a splash as a social realist, depicting the struggles of the poor without idealizing or romanticizing them, and confronting the viewer with how things really seemed to be. Later in his career, he indulged in artistic erotica, including "Sleep," a painting of a nude lesbian couple in bed, and "The Origin of the World," a highly realistic painting of female genitalia.

What's annoying about him? Dude was into himself. There's a number of self-portraits where he presents himself as a heroic figure, deferred to by the wealthy, all virile and studly.

This is a painting from early in his career, a work done as a training exercise. I can't help but wonder if he would do a nude of himself later on...

From the Metropolitan Museum of Art, New York.

"Little Boy Looking at the Sea," Edward Hopper, 1891.

Y'all know Hopper. But this is remarkable as this is very, very early Hopper. Early as in he was nine years old when he drew this, on the back of one of his report cards.

Born in Nyack, NY, a yacht-building town at the time, Hopper grew up on the water, with the Hudson clearly visible from his bedroom window. It's impossible to know if this was meant to depict himself, or someone he knew, or was drawn from the imagination, but here it is.

He showed artistic talent at an early age, and his parents encouraged it, keeping him stocked with supplies. Reportedly he'd wander the riverbanks with a sketchpad, drawing anything that caught his fancy.

What's remarkable is the air of isolation, and the small figure is so pensive and focused. This prefigures the themes of many of his grown-up works.

From a private collection.