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#FestivalTransAmériquesFTA

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Le Devoir - Non officielTiziano Cruz continue d’explorer ses origines, cette fois en nous entrainant dans son village natal en Argentine.<a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a> <a href="https://friendica.quebec/search?tag=Argentine" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Argentine</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2tre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtre</span></a><br><a href="https://www.ledevoir.com/culture/theatre/886096/wayqeycuna-retour-sources" rel="nofollow noopener noreferrer" target="_blank">«Wayqeycuna»&nbsp;: retour aux sources</a>
Le Devoir - Non officielLe spectacle créé par le collectif Théâtre indépendant à l’occasion du FTA est hautement prometteur.<a href="https://friendica.quebec/search?tag=miseensc%C3%A8ne" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>miseenscène</span></a> <a href="https://friendica.quebec/search?tag=Th%C3%A9%C3%A2treProspero" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ThéâtreProspero</span></a> <a href="https://friendica.quebec/search?tag=cr%C3%A9ationartistique" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>créationartistique</span></a> <a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a> <a href="https://friendica.quebec/search?tag=pi%C3%A8cedeth%C3%A9%C3%A2tre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>piècedethéâtre</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2tre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtre</span></a><br><a href="https://www.ledevoir.com/culture/theatre/885988/exterieur-nuit-bord-gouffre" rel="nofollow noopener noreferrer" target="_blank">«Extérieur/nuit»: au bord du gouffre</a>
Le Devoir - Non officielLe spectacle de Mario Banushi est une émouvante lettre à l’absent et un vibrant hommage à celles qui restent.<a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2treJean-Duceppe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtreJean-Duceppe</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2tre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtre</span></a><br><a href="https://www.ledevoir.com/culture/theatre/885586/taverna-miresia-somptueuse-ceremonie" rel="nofollow noopener noreferrer" target="_blank">«Taverna Miresia»&nbsp;: somptueuse cérémonie</a>
Le Devoir - Non officielLe film d’Alain Resnais devient théâtre lyrique, sous forme de mise en abyme.<a href="https://friendica.quebec/search?tag=UsineC" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>UsineC</span></a> <a href="https://friendica.quebec/search?tag=op%C3%A9ra" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>opéra</span></a> <a href="https://friendica.quebec/search?tag=musiqueclassique" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musiqueclassique</span></a> <a href="https://friendica.quebec/search?tag=MargueriteDuras" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MargueriteDuras</span></a> <a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a><br><a href="https://www.ledevoir.com/culture/884224/hiroshima-amour-revu-facon-opera" rel="nofollow noopener noreferrer" target="_blank">«Hiroshima mon amour», revu façon opéra</a>
Le Devoir - Non officielLe spectacle de la Française Caroline Guiela Nguyen donne au Festival TransAmériques un formidable coup d’envoi.<a href="https://friendica.quebec/search?tag=multidisciplinaire" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>multidisciplinaire</span></a> <a href="https://friendica.quebec/search?tag=spectacle" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>spectacle</span></a> <a href="https://friendica.quebec/search?tag=hautecouture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>hautecouture</span></a> <a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2treJean-Duceppe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtreJean-Duceppe</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2tre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtre</span></a><br><a href="https://www.ledevoir.com/culture/883336/critique-spectacle-lacrima-fil-conducteur" rel="nofollow noopener noreferrer" target="_blank">«Lacrima»: fil conducteur</a>
Le Devoir - Non officielLe spectacle de Caroline Guiela Nguyen donne au festival TransAmériques un formidable coup d’envoi.<a href="https://friendica.quebec/search?tag=multidisciplinaire" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>multidisciplinaire</span></a> <a href="https://friendica.quebec/search?tag=spectacle" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>spectacle</span></a> <a href="https://friendica.quebec/search?tag=hautecouture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>hautecouture</span></a> <a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2treJean-Duceppe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtreJean-Duceppe</span></a> <a href="https://friendica.quebec/search?tag=th%C3%A9%C3%A2tre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>théâtre</span></a><br><a href="https://www.ledevoir.com/culture/theatre/883336/critique-spectacle-lacrima-fil-conducteur" rel="nofollow noopener noreferrer" target="_blank">«Lacrima»: fil conducteur</a>
Le Devoir - Non officielAvec sa pièce, la chorégraphe sud-africaine Mamela Nyamza se questionne sur différentes problématiques de son pays.<a href="https://friendica.quebec/search?tag=apartheid" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>apartheid</span></a> <a href="https://friendica.quebec/search?tag=danse" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>danse</span></a> <a href="https://friendica.quebec/search?tag=FestivalTransAm%C3%A9riquesFTA" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FestivalTransAmériquesFTA</span></a> <a href="https://friendica.quebec/search?tag=AfriqueduSudpays" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AfriqueduSudpays</span></a> <a href="https://friendica.quebec/search?tag=magazineculturel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>magazineculturel</span></a><br><a href="https://www.ledevoir.com/culture/danse/879043/hatched-ensemble-corps-font-politiques-tete-pieds" rel="nofollow noopener noreferrer" target="_blank">Dans «Hatched Ensemble», les corps se font politiques, de la tête aux pieds</a>