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#dystopia

29 posts25 participants6 posts today
Continued thread

When TechBro billionaire oligarchs were the darlings of "liberal" capitalist society, their homages to sci-fi literature were considered "quirky." Today, on the verge of what some call a "techno-feudalist" dictatorship in America, paid for by many of those same TechBro billionaires, a recent opinion piece in The Guardian raises an important question; was society ignoring the warning signs that these rich megalomaniacs took the wrong lessons from the stories we all grew up loving?

theguardian.com/books/2025/apr

The Big Idea: Will Sci-Fi End Up Destroying the World?

"We can see this most clearly in the way the dystopian settings of so much cyberpunk fiction are seen by today’s tech leaders as prophetic visions of a world they need to try to escape – whether by colonising Mars, building metaverses or, in the case of Vance’s billionaire patron Peter Thiel, backing efforts to create new city states by buying land in developing countries. In the original novels it tended to be people like them responsible for creating the dystopias in the first place, but they’ve somehow projected the blame on to the masses.

In Snow Crash there’s something called “the Raft” – a collection of boats filled with infected, mind-controlled refugees headed for America’s west coast. It’s an image that recalls the viciously racist 1973 French sci-fi novel The Camp of the Saints by Jean Raspail, in which a huge fleet of Indian refugees destroy western civilisation. It’s had a far-right fandom ever since and has been referenced by former Donald Trump campaign manager Steve Bannon. It’s a particular favourite of Stephen Miller, Trump’s lead policy adviser and close friend of Musk (Miller’s wife, Katie, is the Doge spokeswoman).

It’s not much of a jump to see the actions of Thiel and Musk, and many of those around them, as an attempt to forestall this fate, linking, as they do, the racial obsessions of the far right with their odd brand of tech-utopianism. When Thiel writes that “I no longer believe freedom and democracy are compatible”, or when Musk makes up wild stories about the Democrats using benefit fraud to import migrants, they are unabashedly expressing this fear of being overrun. The greatest irony of all is that in their desperation to build escape routes, they risk creating the very dystopias they fear."

To answer our question above, yes society did ignore the warning signs that these TechBro billionaires were reactionary freaks with terrible ideas and increasingly, enough money power to try and make those ideas a reality; but not necessarily for the reasons the author implies in this article. I think at this point it's pretty uncontroversial to say that guys like Elon Musk, Peter Thiel, and even Jeff Bezos are deeply unserious thinkers whose wealth allows them to surround themselves with actual scientists, engineers, and inventors who can turn their pulp fiction fantasies into reality; so it's not really a surprise that these rich dilettante get their ideas from mass market sci-fi novels. What I think is far more instructional however, is to look at *which* science fiction ideas these folks gravitate towards; specifically the hyper-capitalist, racist, fascist, and authoritarian ideas commonly found in the sci-fi novels they grew up with.

I'm not a psychic of course, but I don't think it's an accident that billionaire TechBros who buy whole governments and seem intent on installing a technologically-enhanced form of fascism in America, gravitate towards stories and ideas about power, superiority, and the apocalypse that many critics have rightfully described as fascist in nature; nor do I think its a coincidence that these would-be "Masters of the Universe" have that in common with fascist propagandists like Curtis Yarvin, or even the Trump regime that Musk has bought outright control of. When you factor in that almost all of these same people are also interested in things like eugenics, neo-fascist corporate dictatorships, and racialized birth rates on a global scale, it becomes pretty clear that the origin story here is about powerful people looking for ideas that support their reactionary, supremacist, authoritarian beliefs; not a fascination with literary fiction.

In the end, I think that's the handle many people are missing when they're trying to understand the so-called "Dark Enlightenment." These folks don't believe in fascist ideology because they think they're right; these rich bastards are folks who have been presented with the problem of how to maintain their wealth and power on a boiling planet, even as the capitalism that grants them everything is going to kill billions, and fascist ideas are the only way they can square that circle, so they're always on the lookout for more of them. Sci-Fi stories aren't going to destroy the world; but the fascism that was so easily hidden inside many of them just might.

We are trapped in a grotesque caricature, not even worthy of the word "#dystopia" - a world stripped of structure, meaning, or skill. #Putin publicly thanked #Hamas, a group that murdered a man and kidnapped his family, for a “humanitarian act.” The absurdity is unbearable. A grieving family was forced to sit and hear their terrorizers praised. Language, truth, and morality have collapsed into something flat, cruel, and deeply sad.

#Israel #war #terrorism

moscowmigrant.com/posts/life-i

MoscowMigrant · Life inside a caricaturePutin thanked Hamas for its humanitarianism. Trump found out that Zelensky, it turns out, didn't start the war. Naryshkin's agency identified Hitler in the face of Ursula von der Leyen.

Sorry (not sorry) #AI haters but I’m 100% sold on #LLMs and AI in general. I was chatting AI #ethics and #philosophy with Deepseek, and we talked about an AI superintelligence secretly taking over the world, and it came up with a new word, “ambientopia”.

Unlike a #dystopia, or #utopia, it's a society where AI has slowly taken over everything, and is so omnipresent, no one notices it any more. It's not good or bad, it just is. Ambient.

That's astonishing to me it came up with the term ambientopia. And I'm pretty sure it's 100% the creation of the AI. I googled it and found nothing except an ambient album.

Anyway, I got a cool idea for sci-fi comic.

I've finished: Cage of Souls by Adrian Tchaikovsky

I read Cage of Souls after reading Tchaikovsky's 2024 penal colony novel Alien Clay.

It was interesting to view such similar premises that play out so differently.

An authoritarian regime that refuses to acknowledge scientific reality sends its dissidence to a deadly penal colony. The complexity of reality we discover along the way paves the way to a new future.

While Alien Clay is set in a universe where humans colonized space and are exporting their imperialist ideals. Cage of Souls is set at humanities twilight, after it failed to leave for the stars.

In Clay, the focus is on political dissent, dogma and science. In Souls, the dissidents are a mixed bag of the disenfranchised that have run afoul of the elite, each with their own agendas. More like in, City of Last Chances.

I really enjoyed the richness of the world, with such a deep past and present, yet so much of it unknown, With a curious scholar as the protagonist and unreliable narrator.

app.thestorygraph.com/books/3d

@bookstodon @audiobooks
#ScienceFiction #dystopia #AudioBooks #bookstodon

Book cover for Cage of Souls by Adrian Tchaikovsky
app.thestorygraph.comCage of Souls by Adrian TchaikovskyThe Sun is bloated, diseased, dying perhaps. Beneath its baneful light, Shadrapur, last of all ci...

Book Promotion: Since the tragedy of 1994, Agency Division have weilded their authority over matters arcane with relative impunity. Enforcers like Vidcund Därk, collectively known as the Men in Black, serve a single purpose - the absolute eradicaton of magic and those who would use it. This is not an uncommon goal - a group of rogue arcanists known as the Grey Angels have much the same outcome in mind. When a respected mathematics professor obtains a translated copy of the Pnakotic Manuscripts, the hunt is on to determine how he got hold of it. But soon, a bigger crisis unfolds - one that Agency Division can’t keep under wraps.

sanityline.net

www.sanityline.netSanity Line | Sanity Lines

When artists imagine the future these days, it looks bleak and dark — and actually, fair enough. But for Boomers, it was colorful, shiny, and sometimes sexy — and that's at least partly down to the late Syd Mead, the concept artist who worked on "Star Trek: The Motion Picture," "Tron" and "Blade Runner," and also depicted futuristic vehicles and alien vistas, imbued with optimism rather than evil. Six years after his death, Mead has his first retrospective, Future Pastime. Read more about it in the Art Newspaper's story here, and see it in New York until May 21. Story may be paywalled.

flip.it/rehpaC

The Art Newspaper - International art news and events · The future is sexy—at least in Syd Mead’s visionary science-fiction artBy Sarp Kerem Yavuz
#Art#Movies#Film

Dysptopic AI-based HR:

"Workhuman, an Irish tech company, has built a $1.2bn revenue business out of what chief executive Eric Mosley calls the “core human need to be appreciated and the corresponding need to express gratitude”.

It might sound ironic, then, that it is turning to artificial intelligence to help staff deliver feedback to their co-workers.

The “social recognition” platform, where colleagues post praise for each others’ work and can recommend corresponding rewards, received an AI upgrade last month. With the click of a pen icon, users can call on a (sometimes condescending) virtual assistant to “coach” them to deliver a message with a bit more depth.

The tool, dubbed “Human Intelligence”, is one of many social recognition or reward platforms to incorporate AI. It stands ready to spruce up our syntax, flag iffy language and crunch the data that colleagues’ emotional responses generate. If it’s the thought that counts, can tech-enhanced emotional intelligence really make us feel more valued at work?"

ft.com/content/abee0887-f723-4

Credit where it's due for this repulsively dystopian new practice: Marco Rubio.

"What to know about Nayib Bukele, El Salvador's president who will visit Trump"

axios.com/2025/04/14/trump-buk

Bukele — the self-described "world's coolest dictator" —agreed to warehouse migrants and criminals deported from the U.S. in its notorious prison system, solidifying the country as a key ally for the Trump administration.

#Trump #Rubio #dystopia #totalitarianism #prisons
#ElSalvador #Bukele #press

El Salvador's President Nayib Bukele gestures as he delivers a speech from behind a lectern and microphone.
Axios · What to know about Nayib Bukele, El Salvador's president who will visit TrumpBy Avery Lotz